» X-COM The Digital Antiquarian
X-COM seemed to come out of nowhere. Its release was not preceded by an enormous marketing campaign with an enormous amount of hype. It had no video demo playing in the front window of Babbages, it wasn’t advertised twelve months in advance on glossy foldout magazine inserts, it had no flashing po...
Such a good read combining a human interest story with an analysis of game design techniques. And on one of my favourite games to boot!
“X-COM: UFO Defense shipped a few months later in North America, into a cultural zeitgeist that was if anything even more primed for it. Computer Gaming World, the American industry’s journal of record, gave it five stars out of five, and its sales soared well into the six digits. As the quote that opened this article attests, X-COM was in many ways the antithesis of what most publishers believed constituted a hit game in the context of 1994. Its graphics were little more than functional; it had no full-motion video, no real-time 3D rendering, no digitized voices; it fit perfectly well on a few floppy disks, thank you very much, with no need for any new-fangled CD-ROM drive. And yet it sold better than the vast majority of those other “cutting-edge” games. Many took its success as a welcome sign that gaming hadn’t yet lost its soul completely — that good old-fashioned gameplay could still trump production values from time to time.”Posted on 2020-09-23T04:41:16+0000